Cary Grant and Joan Fontaine in a still for Suspicion (1941), the first of four collaborations between Grant and Hitchcock.
The film originally ended on a much darker note, with Fontaine’s character knowingly drinking poison prepared by her husband—but sending a note to the police that will condemn him after her death.
Grant preferred this version to the more ambiguous finale that the studio demanded. As he explained, “I thought the original was marvelous. It was a perfect Hitchcock ending. But the studio insisted that they didn’t want to have Cary Grant play a murderer.”
Image scanned from A World of Movies by Richard Lawton (Delacorte Press, 1974).
Cary Grant and Irene Dunne in a still for Leo McCarey’s The Awful Truth, 1937.
Grant and Dunne had a sparkling chemistry both onscreen and off. As Dunne recalled, “I loved working with Cary—every minute of it! Between takes he was so amusing with his cockney stories. I was his best audience. I laughed and laughed and laughed. The more I laughed, the more he went on!”
Scanned from Great Hollywood Movies by Ted Sennett (Abradale Press, 1983).