Father Goose (1964): 31 Days of Cary Grant, Day 30

A close-up of Cary Grant on the set of Father Goose (1964).

During his one-man show “An Evening with Cary Grant” when asked which of his roles came closest to his real-life personality he’d answer, “the bum I played in Father Goose.” Indeed, in this rare recorded sound clip from one of his appearances, he admitted to a flaw that sounds more akin to gruff Walter Eckland than to Grant’s sophisticated public persona: “I do a lot of burping.”

Cary Grant in Father Goose

Image scanned from LIFE Goes to the Movies (Time-Life Books, 1975).

Rock-A-Bye Cary: 31 Days of Cary Grant, Day 21

Howard Hawks and Katharine Hepburn look over their scripts on the set of Bringing Up Baby (1938)—while Cary Grant takes a nap.

I’ve been trying to go in chronological order with these pictures, but I just discovered this one in an old movie magazine and it was too adorable not to share.

Howard Hawks, Cary Grant, and Katharine Hepburn on the set of "B

Image scanned from the May 1938 issue of Photoplay. You should know that I’m cheating a bit today because I didn’t personally scan this image—the fine team behind the Media History Digital Library did that for me! However, I did edit and enhance it.

The Awful Truth, 1937: 31 Days of Cary Grant, Day 10

Cary Grant and Irene Dunne in a still for Leo McCarey’s The Awful Truth, 1937.

Grant and Dunne had a sparkling chemistry both onscreen and off. As Dunne recalled, “I loved working with Cary—every minute of it! Between takes he was so amusing with his cockney stories. I was his best audience. I laughed and laughed and laughed. The more I laughed, the more he went on!”

Cary Grant and Irene Dunne in The Awful Truth, 1937

Scanned from Great Hollywood Movies by Ted Sennett (Abradale Press, 1983).

Cary and His Costars: 31 Days of Cary Grant, Day 5

Cary Grant with Carole Lombard, Marlene Dietrich, and Richard Barthelmess, mid-1930s. Cary appeared in films with each of these stars: Lombard in Sinners in the Sun (1932), The Eagle and the Hawk (1933), and In Name Only (1939); Dietrich in Blonde Venus (1932); and Barthelmess in Only Angels Have Wings (1939).

Cary Grant with Carole Lombard, Marlene Dietrich, and Richard Ba

Scanned from Images of America: Early Paramount Studios by E.J. Stephens, Michael Christaldi, and Marc Wanamaker (Arcadia Publishing, 2013).